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<link>https://www.musiclibraryassoc.org/forums/topics.aspx?group=119828&amp;forum=163857</link>
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<lastBuildDate>Wed, 8 Jul 2026 21:34:29 GMT</lastBuildDate>
<pubDate>Fri, 6 Nov 2015 19:12:19 GMT</pubDate>
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<title>DH Projects Involving Sampling and Remixing</title>
<link>https://www.musiclibraryassoc.org/forums/posts.aspx?group=119828&amp;topic=1166771</link>
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<description><![CDATA[Hi DH people,

Does anyone know of any DH-ish projects out there that involve sampling and remixing of recorded music? 

I'm working on an online exhibit of two compositions by composer Tom DeLio, who is on the faculty here at UMD and whose papers we have in our special collections unit. The two compositions are anti-paysage (1990) and anti-paysage ii (2015). The later composition was created by taking audio clips (samples if you will) from a recording of the original composition. The samples were then manipulated through various electronic means, then remixed into a new composition.

I'm looking for advice or ideas on how to describe the various samples and their various manipulations. The idea would be to give viewers a sense of the composer's process.

Any thoughts?

Thanks!
Steve]]></description>
<pubDate>Fri, 6 Nov 2015 20:12:19 GMT</pubDate>
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<link>https://www.musiclibraryassoc.org/forums/posts.aspx?group=119828&amp;topic=703189</link>
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<description><![CDATA[The Digital Humanities Round Table now has a forum! Please use this space to share DH-related information, ideas, resources, and events.&nbsp;]]></description>
<pubDate>Wed, 29 Jan 2014 18:42:32 GMT</pubDate>
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