Quarterly Journal of the Music Library Association
Volume 73, no. 3 | March 2017


Faceted Vocabularies for Music: A New Era in Resource Discovery

pp. 409-431 | DOI: 10.1353/not.2017.0000

Beth Iseminger, Nancy Lorimer, Casey Mullin, Hermine Vermeij

Of Programs and Prima Donnas: Investigating British Music with the Musical Festivals Database

pp. 432-472 | DOI: 10.1353/not.2017.0001

Charles Edward McGuire

Barney and Gloria: Revisiting Tin Pan Alley

pp. 473-501 | DOI: 10.1353/not.2017.0002

Elizabeth York

Notes for NOTES

Judy Tsou, Paul Cary, Craig Butosi, Alan Karass, Stephanie Lewin-Lane,

Ann Shaffer, Anna Kijas, Elizabeth Sweeney, Elizabeth Surles, David C. Hunter, Deborah Campana

pp. 502-508 | DOI: 10.1353/not.2017.0003

Book Reviews

Edited by Liza Vick


The Cambridge Companion to Duke Ellington ed. by Edward Green (review)

pp. 509-510 | DOI: 10.1353/not.2017.0004

Edward Komara

Listen to This: Miles Davis and Bitches Brew by Victor Svorinich (review)

pp. 510-513 | DOI: 10.1353/not.2017.0005

Mark C. Gridley

Musics of the World

The Cambridge Companion to Jewish Music ed. by Joshua S. Walden (review)

pp. 513-516 | DOI: 10.1353/not.2017.0006

Ann Glazer Niren

Fela: Kalakuta Notes by John Collins (review)

pp. 516-518 | DOI: 10.1353/not.2017.0007

Graeme Counsel

Country and Placemaking

Country Comes to Town: The Music Industry and the Transformation of Nashville by Jeremy Hill, and: Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport by Jonathan R. Wynn, and: Beyond the Beat: Musicians Building Community in Nashville by Daniel B. Cornfield (review)

pp. 518-525 | DOI: 10.1353/not.2017.0008

Travis D. Stimeling

Placemaking in Europe and America

Reinventing Dixie: Tin Pan Alley’s Songs and the Creation of the Mythic South by John Bush Jones (review)

pp. 525-526 | DOI: 10.1353/not.2017.0009

Stephanie Lewin-Lane

Music in Vienna, 1700, 1800, 1900 by David Wyn Jones (review)

pp. 526-529 | DOI: 10.1353/not.2017.0010

Nancy November

Radicalism and Capitalism

Radicalism & Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants by Jonathan R. Pieslak (review)

pp. 529-531 | DOI: 10.1353/not.2017.0011

Benita Wolters-Fredlund

Music and Capitalism: A History of the Present by Timothy Dean Taylor (review)

pp. 531-533 | DOI: 10.1353/not.2017.0012

Carol Lubkowski

Form and Theory

Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis by Judy Lochhead (review)

pp. 533-536 | DOI: 10.1353/not.2017.0013

Dimitris Exarchos

Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno ed. by Steven Vande Moortele, Julie Pedneault-Deslauriers, Nathan John Martin (review)

pp. 536-540 | DOI: 10.1353/not.2017.0014

Steven D. Mathews

Medieval Music

Qui musicam in se habet: Studies in Honor of Alejandro Enrique Planchart ed. by Anna Zayaruznaya, Bonnie J. Blackburn, Stanley Boorman (review)

pp. 540-544 | DOI: 10.1353/not.2017.0015

Kathleen Sewright

Manuscripts and Medieval Song: Inscription, Performance, Context ed. by Helen Deeming, Elizabeth Eva Leach (review)

pp. 544-547 | DOI: 10.1353/not.2017.0016

Michelle Urberg

Program Music

Understanding the Leitmotif: From Wagner to Hollywood Film Music By Matthew Bribitzer-Stull (review)

pp. 547-550 | DOI: 10.1353/not.2017.0017

Jonathan Kregor

Program Music by Jonathan Kregor (review)

pp. 550-552 | DOI: 10.1353/not.2017.0018

Patricia Josette Moss

Vocal Music

The Operas of Maurice Ravel by Emily Kilpatrick (review)

pp. 552-554 | DOI: 10.1353/not.2017.0019

Keith E. Clifton

Hermeneutics of Hymnody: A Comprehensive and Integrated Approach to Understanding Hymns by Scotty Wayne Gray (review)

pp. 554-556 | DOI: 10.1353/not.2017.0020

Armin Karim

Musical Instruments

The Guitar in Tudor England: A Social and Musical History by Christopher Page (review)

pp. 556-558 | DOI: 10.1353/not.2017.0021

Michael Bane

The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 ed. by Robert Adelson, et al. (review)

pp. 559-561 | DOI: 10.1353/not.2017.0022

Emily Laurance

Collected Documents

Écrits sur la musique by Jean Cocteau (review)

pp. 561-563 | DOI: 10.1353/not.2017.0023

Russ Manitt

George Frideric Handel: Collected Documents ed. by Donald Burrows et. al. (review)

pp. 564-565 | DOI: 10.1353/not.2017.0024

Benedetta Saglietti


Sourcebook for Research in Music by Allen Scott, Phillip D. Crabtree, Donald H. Foster (review)

pp. 565-567 | DOI: 10.1353/not.2017.0025

Stephen Mantz

Books Recently Published

Compiled by James Procell and Matt Ertz

Books Recently Published

pp. 568-575 | DOI: 10.1353/not.2017.0025

New Periodicals

Compiled by Lindsay Hansen

New Periodicals

pp. 576-580| DOI: 10.1353/not.2017.0026

Zoë Rath

New Media Reviews

Edited by Stephen Henry

Music Magazine Archives: Rock (review)

pp. 581-583 | DOI: 10.1353/not.2017.0028

Marci Cohen

Music Reviews

Edited by Keith Cochran

The Ferrell-Vogüé Machaut Manuscript by Guillaume de Machaut (review)

pp. 584-587 | DOI: 10.1353/not.2017.0029

Kathleen Sewright

I Kyrie di Tr93 ed. by Antonio Chemotti (review)

pp. 587-591 | DOI: 10.1353/not.2017.0030

Robert Nosow

Ercole Pasquini Toccate, canzoni, ricercari. ed. by Paul Kenyon (review)

pp. 591-595 | DOI: 10.1353/not.2017.0031

David Schulenberg

Two Operas from the Series Die zween Anton. Part 1: Der dumme Gärtner aus dem Gebürge oder Die zween Anton (Vienna, 1789) ed. by David J. Buch, and: Two Operas from the Series Die zween Anton. Part 2: Die verdeckten Sachen (Vienna, 1789) ed. by David J. Buch (review)

pp. 595-600 | DOI: 10.1353/not.2017.0032

Adam Shoaff

Music Received

Compiled by David Knapp

pp. 601-605| DOI: 10.1353/not.2017.0033

Index to Advertisers

p. 606 | DOI: 10.1353/not.2017.0034